Scarface (1932)

Directed by Howard Hawks, this is the original Gangster classic that set the template for many films to come. Based on the Al Capone story, we follow Tony Camonte as he blasts his way to the top of the Chicago rackets before meeting a bloody end. It’s a familiar tale, which has been done better, but Hawks did it first. And his direction is the high-point of the movie. Hawks keeps things moving along and his shoot-outs and “Gangland Hits” are so well done they’ve been copied in numerous films. The script by Hecht has some funny “comic relief” and interesting dialogue, along with a strange relationship between the Tony and his “Kid Sister.” 

Negatives

Paul Muni is borderline adequate in the lead role, lacking the star power of Cagney or the intensity of E.G. Robinson. Muni compounds the lack of Charisma with a Dodgy Italian accent (it fades in and out) and overly broad and weird facial expressions. I found them distracting, and couldn’t figure out what emotions Muni was trying to express. Charm? Lust? Toughness? Who knows? The supporting cast ranges from Strong (Raft as Muni’s sidekick/Karen Morley as the Gangster Moll) to weak Inez Palange (Tony’s Mother). 

Best Lines:

Poppy: Kind of gaudy, isn't it? 

Tony: Ain't it though? Glad you like it. 

Best Scene: 

Tony sets a trap, and goes to Lovo’s office to determine if Lovo has tried to “Rub him out” 

Summary: Well-done if overly familiar Gangster tale, with great direction and a mediocre lead. A milestone film, but only moderately entertaining. Rating **1/2